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A More Organised Writer…?

Did you guys make any writing related New Year’s Resolutions? We’re almost a month in to 2020, so how have you been getting on?

This year, I chose to focus on streamlining my writing process with a view to keeping my stress-levels low and my productivity high. So far, it seems to be working. I filled a diary with upcoming submission calls for short stories, and the two that stood out with deadlines at the end of January are almost complete. Having the diary has helped me to focus my attention on where it is needed, instead of constantly having ideas floating around my head without any order!

In between submission calls, I’m looking at working more methodically on my novels and full-length scripts. There are a couple of works that require some editing or plot-development before I can take them any further, so I’m blocking out time in between deadlines to work on those. When I have them mapped into my diary, I can forget all about them in the meantime, which is definitely preventing me from panicking or experiencing plot overload!

In terms of my horror novel, I am still plot mapping at the moment. I’ve drafted a few of the key chapters, but want to make sure I have the full structure worked out before I take it any further. I’ve been working to the Save the Cat plotting method which was developed by Blake Snyder, and found that his structure pretty much fit my basic plot plan for this particular work in progress. Having the template in front of me is helping me to focus my ideas and stick to the most important elements of the story. I was pleased to find that I was on the right track according to Snyders development plan, and so it was surprisingly positive to shift from being a complete pantser to a plotter! I’m going to book a solid week or two off work later in the year to finalise the finished draft. Knowing that I’ll have that time in a few months to worry about the finer details is helping me to take a steadier pace this time around. I am training myself to stop charging through the process, and I have to say I am enjoying the change of tack.

I hope that if you made any writing resolutions that they are working out well for you so far. If you did but haven’t been able to utilise them for whatever reason, I hope it’s given you a helpful insight into what may work for you in the future. If you hate making resolutions and already had a positive writing structure going for you, then long may it continue into 2020! And, finally, if you hate making resolutions but still don’t have a writing schedule that works for you, don’t give up on yourself. It will come in time.

Wishing all my fellow writers a positive and productive year ahead.

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Making Time to Write

It’s early in the new year and I’m right where I need to be. I’m sat at my kitchen table with my laptop open in front of me, notebooks and diary notes strewn around me. I’m in my happy place. It’s a Sunday and I have nothing to do but write.

That’s not to say that the day hasn’t been filled with other essentials. The bathroom and kitchen have been cleaned. There is a wash load turning in the dryer. I watched the final episode of Cheer in bed with a cup of coffee this morning because I just had to know if Navarro won the division championship before I could even think about writing a word. But that’s okay. Those were not wasted hours. Because now I can shake off the day, focus on my words, and breathe.

My plan today is a simple one. Write a blog post (hi there!), write a rough draft for entry into the Tales from the Moonlit Path ‘Love Gone Wrong’ horror short submission, and add to my chapter plan. It is three attainable, satisfying goals, and all three will set me up for the week on a stronger footing than I would be without them. My resolution for 2020 was geared around me maintaining productivity without becoming overwhelmed, and I’ve come to realise in the last two weeks that I am finally able to breathe. Metaphorically – and often literally – I hold my breath while I rush through the motions of being a writer. My brain races through ideas spanning ten chapters, while at the same time considering social media and blog posts, potential short story submissions, and query letters. And then I wonder why I fail to work to the best of my abilities.

January has been a much-needed huff of oxygen to my writing practice. I’m organised. I’m pacing myself. I am allowing myself space to breathe. I trust in my inactivity, just as I trust in my ability to write the damn novel. I just needed a little space to fill my lungs.

And now I’m right where I need to be. Writing.

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New Year, New Writing Me…?

Welcome to a new year, my writing friends. A new decade, to be exact. I already feel as though this will be a year of change. A change in practice. A change of habits. Renewed motivation and drive. I took a couple of months out to re-charge my batteries and shake off the technological burn-out I’d been experiencing. A hectic and challenging few months at my day-job had left me unable to enjoy time at the computer at home, and fighting to summon up the enthusiasm to post cheerful insta pics and remotely positive blog posts.

A break has done me good, I’m happy to report. I have something of a plan going into 2020. I am determined to organise my time and to ensure productivity no longer goes hand-in-hand with burn out. I have identified my problem – I’m an ‘all or nothing’ kind of person. In the past I have had no problem writing thousands of words, zoning out and immersing myself in my imaginary worlds, fingers flying over the keyboard and my brain working overtime to catch up to the images being acted out by the characters in my mind. But then comes the edit. Picking apart the plot holes and rectifying lazy setting descriptions. And then, inevitably, comes the loss of confidence. The spark dries up. The project gets shelved for a shiny new idea and off I go again, hurtling towards exhaustion but ultimately getting no closer to my goal of becoming a novelist.

2020 will be different. I’m determined to get a grip on my writing practice to ensure I move steadily towards my goals. I’ve bought a diary and have entered upcoming short story submission opportunities that I might like to try. This will hopefully allow me to manage my spare time more effectively and give me plenty of opportunities to build my short story portfolio while simultaneously completing my novel. I’ve set time aside in January to carefully plot my chapters and I’m ditching word-count focus until I know exactly what I need to write.

And one final vow going into 2020: To take it easy on myself. As writers we demand so much of ourselves. Of our time. Of our energy. Of our lifestyles and headspace. We aren’t superhuman, at the end of the day. The year has begun with nothing but negativity in the news of the world around us, and it can be disheartening. It’s hard to focus on our goals when the lives we live sometimes feel so perilously out of our control.

So, this year, take a breath. Allow yourself the time you need to be brilliant. Enjoy the small steps that you can take in order to achieve your goals. No matter what is happening around us, our writing is the one thing we do have control over. If you’ve been struggling to motivate yourself, just as I have, think of a plan that will take some of the pressure off your shoulders. Get back to doing what you love. And look after yourselves this year, my writing friends.

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Who’s afraid of the big bad edits?

A few weeks ago I received a rejection email with a twist. On this occasion I was fortunate enough to have the editor come back to me with my story marked, suggesting that if I make some changes he would reconsider the submission. I was blown away by this opportunity, as I know how rare it is to get a second chance when it comes to submissions!

I went back to him asking for a latest date that he would expect me to return the altered manuscript, stating that I knew that this was no guarantee that I would make it into the anthology even after the edits, and thanking him for the opportunity to try again. He then wrote back to me thanking me for my response to his suggestions, stating that not all writers take the offer of edits quite so well.

This struck me as crazy! Here was a professional, who whilst considering my story had made edits in track changes, without me paying him a thing, and had offered me a second chance at publication if only I follow his advice. For a story that I wrote for his anthology. Who in their right mind wouldn’t snap his hand off, I wondered?! I mean, I know that your own writing is precious, and that having someone turn around asking for changes is like someone saying your baby would be cute if only it had brown eyes and curly hair. But I know I would have had to have paid a fortune sending it off to an editing company for the same pleasure. And his suggestions were completely valid: There was too much description before the action began. There were too many characters for a short story, and some of them had to go. I did need to ramp up the connection between the two main characters, and – damnit – the ending would be better if the narrator actually made it to safety!!

So I sat down to work through the changes, taking each point and scrutinising how to make the edits successful without losing my voice and my original intentions. Sometimes it’s difficult to take criticism, but thankfully this editor made both positive and negative comments with a considered, encouraging tone. I’ve received other edits by more brutal readers in the past, and this was a cake-walk in terms of bruised ego aftereffects! I was dreading making the edits, because I do hate editing. But this was kind of a fun experience, much to my surprise. I learned more from his suggestions that I ever have from courses or classes. I am grateful to him, and glad I learned a while ago to keep an open mind and listen to the experts (probably the most difficult but most important step in my writing career).

All I can say is, no matter how much it hurts, if someone offers you the chance to make edits to improve your story to their publishing standard, don’t let your pride get in the way. You’ll become a better writer from it. Fast-forward a month and I’ve made it into the publication! I am over the moon about it and can’t wait to see the book published. So, here’s to second chances, and expert advice.

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Being the Guest of a Writing website

Something very exciting happened recently. I was honoured to be asked by the incredibly talented Kate Nilski to answer a few questions on the subject of bravery in writing for her website The World of Words is Wonderful. I received the questions and mulled them over for a while, thinking that I had a solid set of answers in my head.

Then I sat down to write. Truly reflecting on yourself and your opinions as a writer can be surprising and enlightening, and after this experience I would encourage any of you to ask a friend to set you a few questions to consider. You may be surprised at your answers! By delving deeper into my writing process, I understood that some things I took at face value were actually products of something bigger. It gave me a better understanding of why I did things in a certain way, and helped me to highlight certain patterns that I hadn’t known existed.

I am becoming more brave in my writing, mainly through sharing more about myself on social media. This interview was really the cherry on the cake. And I understand now that my writing process is ever-evolving. Since answering the questions, I’ve changed direction again! Back then, I was all set to slog away at my young adult fantasy WIP. Now I have faced facts in the mirror and decided to put that particular project away for a while to focus on horror. Becoming a writer is about making yourself a brand after all. I have an idea for a full-length terror-based plot, as discussed in my previous blog, and the excitement building from this new venture tells me it is the right thing to do. That’s one of the incredible things to embrace about being a writer. It is an ever-evolving, changing process. And so are you, the writer itself.

So a huge thank you to Kate at The World of Words is Wonderful for giving me the opportunity to tap into this aspect of myself and allowing me to reflect. It was just what I needed at this crossroads. And thank you also for allowing me to feel like a bit of a celeb! After the interview was shared on Facebook I had friends messaging me saying things like, “I thought – hey, I know her!” which felt amazing. Faking it til you make it is a huge part of taking your place on the literary ladder, and I certainly feel like I’ve hopped a few rungs this year.

You can check out Kate’s fantastic website, hire Kate for your digital copywriting needs, and have a nosey at the interview here

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The Shortlist Paradox

After making a succession of short story anthology submissions this summer, the inevitable rejections have begun to slink into my inbox. It is a part of every writer’s world, so I am not complaining about the process. However, this last couple of weeks has had me musing over whether being notified that you have been shortlisted, only to be informed of rejection in the final cut, could be worse than not hearing anything at all until the axe falls.

Every submission comes with a ‘dare to dream’ moment or two. If it didn’t there would be no motive to submit in the first place! I usually submit with suppressed hopes, then put the publication completely out of my mind until I hear either way. Otherwise I find myself daydreaming about the possibilities. About what I would do if I got a yes. What would I post on social media? How would I tell my friends and family? Then the flutter of desire kicks in, and the potential for disappointment grows.

I had this recently with the latest SNAFU publication, Last Stand. As I mentioned in a previous blog, this publication was the anthology equivalent of the Holy Grail for me, as it will be introduced by the director Tim Miller. Marvel are a huge fixture in my household, so the potential to be linked to anything involving the Deadpool director was a huge draw. I crafted the story as best as I could. I looked back at previous hints and tips that the editors had provided, keen to tick every possible personal preference box on their list. Then, I hit ‘send’, locked the hopes and dreams in a little box in my brain marked “Do not open”, and went about my business. Then I heard the news that the story had made it through the first round of shortlisting. Wow. That was a buzz. The flame of possibility grew. I dared to dream a little bit. I was honoured that they liked my story, and repeatedly rationalised that at this stage, even if it was a ‘no’ in the end, I could be proud that it made it so far.

To my absolute shock and delight, I made it through the next round of cuts. At the beginning of that week, I had seen on the publication’s Facebook page that the next refusals were imminent, and I was convinced I would be amongst them. But I wasn’t. Double-wow. Could it possibly be? I started to get really excited. I talked about it with my friends, which is something I wouldn’t normally do unless I’d actually made it into the book. I’m cagey about my writing at the best of times, having always had a fear of the old ‘pride comes before a fall’ warnings. But this time, it couldn’t hurt to talk about it. It was a huge deal after all, and I clung to the fact that it was something of an accolade that the story had made it so far.

Well, come the final round of cuts. And a rejection letter. Albeit a very positive, constructive rejection letter, but a rejection nontheless. Wow again. But this time, a crushing, “Wow, I really thought I might have had that, there. Damn.” This was the moment that I started thinking about shortlist emails. They are always a joy, don’t get me wrong. And there was a point in my writing career when I would have chopped a hand off just to get one (possibly a counter-productive move – don’t judge me, I was a neurotic, fledgling writer!). But that moment of daring to dream a little bigger…The moment the “Do not open” sign gets torn off the hidden box in my brain that shows me visions of what I might do if I got the news that I’d been accepted. The moment when I let my daydreams wander to potential future opportunities that a yes decision may have brought. That kicks in as soon as the shortlist email comes in my inbox.

And, you know what? In the end, they ARE a good thing. Because it is that little boost that verifies that we’re on the right path. It’s the feedback from almost making the cut and being told exactly why we didn’t in the end that makes us better writers. That makes the next story an improvement on the last. It’s the step towards the next acceptance, because we’re always learning. The shortlist email, even if it makes the rejection a little more disappointing in the end, reminds us of why we do this. The rush. The thrill of the chase. The potential for that elusive ‘yes’.

So thank you to those editors who take the time to let us know when we’re through to the next round. And to those who let us down gently with constructive words when we don’t quite make the cut. We need thick skin in this industry, and at certain times for whatever reason, it’s not easy to remain positive. The shortlist reminds us that we’re almost there. Even if it’s a harder fall.

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News of all kinds

I haven’t posted for a couple of weeks. The day after I wrote my last post, where the dog and I had taken a trip to the orchard and it had inspired me to write a poem, Shadow collapsed and had to be put to sleep. It has been strange here ever since. If I could describe how we were with each other, I’d say that when we were together we would constantly look to each other. When we were apart, I would constantly look forward to seeing him. He was just a constant. To not have that now is the hardest thing, because there are habits that grow with love that you don’t even know are there. Each time I face a new automatic habit and then remind myself that he isn’t there it’s heartbreaking. But, looking back at our photos and videos together, I know he was happy right to the end, and that is the most reassuring thing of all. He was a rescue dog, and taking him from the shelter five years ago was the best thing I ever did. I would encourage anyone who is considering getting a pet to please go to your local rescue shelter first and foremost. We couldn’t have had a better fit in our lives, even if we’d raised him ourselves.

In terms of writing, I have never been the type of writer who thrives in dark times. In fact, my muse tends to dry up completely. It was a huge effort to complete the poem, ‘The Tree That Ate the Children’, the week after Shaddy passed, and I managed to just meet the deadline for submission. I don’t know if it’s any good, but it was finished and submitted, and that was enough that week. I’m pleased to say I managed to write yesterday. There are a number of exciting horror submission calls for the end of July/start of August, and I really hope I can come up with some good gory tales!

One word of warning that I learned myself this week – final deadline dates don’t always stay the same. I’ve known them to be pushed to a later date before, but never cut off a few weeks early due to popularity! This has happened with Dragon’s Roost’s ‘Monsters in Space’ anthology. It was such a great brief and I am happy to hear that they have had a successful submission response. But I am definitely sad that I didn’t get a shot at taking part! Still, it has taught me a new writing lesson, which I’ll try to bear in mind in future: Submit early if you can. I always tend to plan my submissions based on final date. I really need to revise that method in future!

Finally, the truly wonderful news this week. I submitted to SNAFU’s Last Stand sub call last month, after reading the brief and falling in love with the concept. The fact that Tim Miller is providing the introduction really is the icing on the cake. To appear in the anthology that features the director of Deadpool would truly be a life-affirming moment in my writing. Not to mention the fact that my hubby rocks around in a Deadpool dressing gown in the evenings, and that we used to have a hamster called D-Piddy in honour of the merc with a mouth. Tim Miller aside, the anthology itself looks to be incredibly special, not surprising since it’s coming from Cohesion Press. On Saturday I received an email saying my story had made it to final deliberations! After such a difficult couple of weeks this news was well received to say the least. I don’t know if I’ll make the final cut, obviously, but it is a huge boost to know the dream is in touching distance. Here’s to dreams coming true, even in the worst weeks!

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Inspired by Nature

I had a little giggle to myself this morning. I’ve got a list of upcoming submission calls that I’d like to try my hand at, one of which being the Forty-Two Books Putrescent Poems anthology. I woke up keen to get started, but struggling for ideas. I knew it had to be horror – that was the easy part. Horror is the one sure theme that always inspires me to give a submission call a crack! But what kind of horror? Demons? Ghosts? Mass-murderers or psycho hitch-hikers? There are sometimes too many possibilities, when it comes to giving something a shot!

I decided to get out into nature and see if the clean air and greenery would set my creative juices flowing. I grabbed the dog and off we went to the local orchard. It’s a beautiful pathway, surrounded by rolling fields and dotted with apple and damson trees. It just so happened that there were groups of school children receiving lessons on the different types of flora and fauna in the area. This meant that the pup had to stay on his lead, much to his dismay, but I had fun eavesdropping on the lesson as we passed:

Teacher: “So, tonight, when you’re having your tea, try taking off your shoes and socks, sticking your feet in your plate, and eating your tea with your feet!”

Children: (Giggles and squeals) One kid in particular: “Even tuna fish sandwiches?!!!”

Teacher: “Even tuna.”

Aside from the fact that a tuna sandwich might be the easiest thing in the world to eat with your feet (ah, to be a kid again), an idea popped into my head while I was looking up at the trees and waiting for the dog to finish his business. Kids + Trees = A tree that eats children. So that’s what I’m writing my poem about.

I don’t know if that’s quite what people have in mind when they say you should get inspired by nature. But it worked for me!

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Submission Lessons

Well, it’s been a bit of a stop-start month, after pledging to get straight into the swing of 2019! But now, after a fantastic birthday weekend away watching Britain’s Strongest Man live, I can happily report that I am back in the writing game.

I’ve spent this week getting my short horror stories organised and finding potential publishers for those that don’t have homes at the moment. I found a helpful list here: https://publishedtodeath.blogspot.com/2018/05/mega-list-of-paying-markets-for-horror.html , that tells you all of the current magazine calls for horror/speculative fiction. Little warning – they’re not all 100% up to date. That’s no comment on the website – it is excellent, and it would be impossible to keep up with all of the sites they showcase! But just be aware that some of the publications are no longer seeking unsolicited submissions, and some of the windows have closed. But it gave me a great starting point. First of all I made a list of my stories and word-counts, making it easier to match them to suitable magazines.

Does anyone else find the term ‘speculative fiction’ a little unnerving? Definitions vary, as do preferences from the editors themselves. I’m sure some of my stories would fit the bill, but the idea of avoiding realism is a strange one. I am never quite sure to what degree they are referring to. This is something I am definitely going to explore further this year! Anyway, that aside, I learned an interesting tip that I had never noticed before. I was making a submission to Red Sun magazine, and noted the often-seen request to anonymise the story. However, Red Sun didn’t just request that the actual story document be made anonymous. They specified the need to right-click on the file, enter the document properties, and delete your name from the creator and PC owner data. I had never actively recognised the need to go to such depths for anonymisation before, and now I’m wondering if this is something I should have done on previous submissions that came to naught. But, live and learn! From now on, I will be taking that extra step when publications ask for the story to be anonymised, just in case.

I am cautiously optimistic about one of the stories that I sent. I originally wrote it for the San Cicaro submission call, and received a fantastic response back from the editor. He disclosed that they considered the story until the eleventh hour, but ultimately refused it because the anthology is due to come out the week that the second part of the new IT movies comes out. Now, I just want to make it clear, there are no killer clowns in the story! But it is about a group of kids going on an adventure to try and discover the origin of strange events occurring in their hometown. I respected their decision, and am grateful for them taking the time to give such strong feedback. If they hadn’t, I may have shelved the story as ‘rubbish – unpublishable’, which I realised I had been doing when a story had been rejected by publications in the past. It taught me that this reaction is crazy – the story may not suit one editor for one reason or another, but that doesn’t mean it isn’t a good story. I looked a little further into this and found a comment from a writer who stated that it takes an average of ten submission attempts before a story is snapped up. Ten! So, never give up on your story. Keep submitting with a positive attitude. You never know the reasons that may have caused the editors to turn it down (after all – I would never have thought the local cinema listings would have had an impact before that rejection!)

Oh, one last tip – some of the magazine websites I viewed had a submission page that did not state they were closed for submissions. It was only after painstakingly formatting the work to their specs that I went to another area to submit and discovered that the submission window had passed. So, before amending your story formatting to fit a specific request, always check both the home page, submission page, and contact area to make sure they are ready for your work!   

Happy submissions, everyone!