Tag: motivation

Writing Convincing Characters

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I used to feel extremely daunted by the prospect of character creation. Making up a number of well-rounded individuals with realistic traits that can all be recognised for their differences as the story progresses is no mean feat!

One writing class I took a few years ago enlightened me to what I believe is the key to writing great characters: Conflict.

By conflict, I don’t mean that all your characters have to be rowing constantly, or that the only good books are set in the middle of a warzone. Conflict in a piece of writing can be far more subtle. To equate it to something more relatable, my tutor at the time liked to give examples of food analogies. So, consider the conflict of caramel and salt. They’re both great flavours in their own right, but put them together and it makes for an unexpectedly enhanced taste experience! That’s how you subtly but effectively build a believable bunch of conflicting (and often conflicted) characters.

To delve into this a little deeper, I’m going to discuss a few of the characters from my latest book, The Suffering, so I have to add in a spoiler alert! If you want to read The Suffering but haven’t yet got around to it, you may want to click out now! It’s available at Amazon in both Kindle Unlimited and standard Kindle format, as well as paperback at Amazon, Barnes & Noble, and other international online retailers including Saxo and Takealot if you are interested in choosing The Suffering as your next read.

Cassie

When I’ve been reading the book’s reviews, I’m amused to hear how some people love Cassie…while others don’t like her at all. Instead of feeling an internal rage for my ‘book child’ and jumping to her defence, this is exactly what I hoped would happen. From one of the first introductory scenes for Cassie, it’s made clear that she is a ‘Marmite’ type of girl, and it’s explained that she finds it particularly difficult to gel with most other women. She’s strong-willed and a little self-absorbed, and is quick to think the worst of others (before they think the worst of her!).

Martin & Tad

I had fun with a brief scene where Cassie’s best friend, Martin, is chastised by Tad. Tad is a dark and brooding type, who is also extremely handsome. Cassie and the other housemates don’t even notice Tad’s looks anymore, but Martin is painfully intimidated by him. As an environmental engineer, Tad takes the plight of the planet seriously, and isn’t impressed that Martin has brought take-away coffee cups into the house. It’s a silly, inconsequential kind of conflict, but I had fun with the contrast between Cassie not giving a damn what Tad thinks and Martin literally withering under his stare!

Pete, Gaia, and Jonah

Pete and Gaia have been dating for years, but Pete has always been jealous of the friendship Gaia has with Jonah. Pete is quiet and contemplative by nature, while Jonah is brash and loud. Jonah’s ability to make Gaia laugh is one of the main problems Pete has with him. The complete juxtaposition of personality types between the two boys was fun to write. As the ghostly oppression in the house builds, the strain on Pete and Gaia’s relationship grows, sending Gaia inevitably into Jonah’s open arms.

An excerpt from The Suffering

I picked these 3 examples because they hit on the main types of conflict you can use in your stories to build tension and create more believable characters as you world build.

  1. The ‘difficult’ character. Although Cassie can be a handful, and will push people away before they get the chance to hurt her, she also has plenty of redeeming character traits that complement her personality type. She’s tough and headstrong, and the other characters know where they stand with her. Her background gives insight into the reasons why she may have had to build a tough exterior. It works well to drop little breadcrumbs throughout the story, letting the reader gradually get to know them as the story progresses, instead of explaining everything in the first few chapters.
  2. The comic relief. These types of brief interactions are pretty easy to work into the narrative, but they can be extremely effective in giving the reader more of a sense of each character and the role they play. Martin is vulnerable here, abashed as he is by Tad. Poor Martin is soon to meet a sticky end in the story, and this scene helps to build sympathy for him. It’s only a couple of lines about a coffee cup, but it helps to establish Tad’s moral standing, Martin’s inhibitions, and Cassie’s indifference.
  3. The romantic conflict. Be it an arguing couple, a love triangle, or an unrequited adoration, romantic conflict can always add a little flair to your character’s worlds. However the situation may end, the tension between the characters can be exciting to explore, and fun for the reader as the story unravels.

Of course, the main conflict in the book comes from the 5 monstrous ghosts attacking each of the students, but that’s not the type of conflict I want to discuss here. There are 2 main definitions of conflict in the dictionary:

1, Noun. A serious disagreement or argument, typically a protracted one.

2, Verb. To be incompatible or at a variance; clash.

Oxford Languages

When writing convincing characters in their domestic settings, focus on the second definition. What are some small clashes or conflicts that you can sprinkle into your chapters as you build your characters? And when I say ‘domestic setting’, this is just referring to your characters’ day-to-day lives. Whether that’s trudging to and from school or work, or navigating to a distant planet in a futuristic rocket ship, mundane conflicts can make all the difference.

Creativity is piercing the mundane to find the marvellous.

Bill Moyers

Promoting Your Writing on TikTok

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I’ve known for a while now that there are hundreds of writers out there who swear by TikTok to promote their books and connect with the perfect audience of potential readers. The whole idea of filming myself and coming up with content that people might actually see filled me with abject horror, and I was dreading the moment the time came to actually get out there and start promoting.

Well, that time came last week. The Suffering had just been released and I decided there was no better time to bite the bullet, download the TikTok app, and post my first video.

You guys. I actually LOVE IT!

I never thought I’d ever say that in a million years, but it’s true.

As I say, I’ve only been on there for a week and haven’t yet built any kind of following so I’m hardly an expert. But I wanted to let other authors who are grappling with the idea of starting a TikTok know what my experience has been, and encourage you to give it a go. I’ll also give you a rundown of a few book-themed video ideas to get started.

The Best Things about Promoting on TikTok

  1. It’s free! All you need is your phone. The app has a built-in editing suite that’s extremely easy to work your way around. If you make a mistake you can hit the ‘undo’ key so there’s never any risk when you’re playing around with your first few videos.
  2. You can post about your book all day long if you like. Unlike Twitter and Instagram, the BookTok community is extremely receptive to self-promotion. The great thing about it is you can slant almost all trending videos and sounds to fit your books. So even though you’re regularly discussing your releases, all of your videos can be a little different, keeping your followers interested.
  3. The algorithm automatically targets your ideal readership. TikTok’s algorithm is scarily accurate. When you first start to use it, you’ll be shown generic or popular videos that have been decided based on your initial data. But within a couple of days you should find that most of the videos you see are targeted to match the content you are watching and producing. This means that the same can be said of the people who are shown your video. Your content will be made visible to people who want to see it, and that makes a huge difference in terms of sales.
  4. You can imitate other people’s videos, and it isn’t stealing! In fact, copying trends is encouraged. My friend watches mostly dog content and introduced me to the ‘cheese tax’ song and videos that are doing the rounds at the moment. She made a fantastic version with her own dog (check out Kirsty B’s account @kirsty709 to see it!). You can scroll through the BookTok trend videos, make notes of the ones you like, and come up with your own. This can be as simple as using a funny filter with a reading or writing twist.

That’s all very well and good, but what in the heck are you going to post? Here’s a few ideas to get you started:

Bookish TikTok ideas

  1. Introduce yourself and your book. For your first post, it’s that simple. Tell people who you are, what you write, and what they can expect from your books. Use hashtags such as #booktok, #myfirsttiktok, and multiple tags related to the genre you write so that it finds its way to your reading community.
  2. Flip reveals and page flicks. As you spend time getting to know BookTok, you’ll probably see a lot of these. Simply hold your phone and film either your book’s spine for a few moments, or film yourself slowly flicking through the pages. At the last minute, reveal the cover and record for a few seconds. Then, edit the video and add text that describes your book, characters, or plot. Play around with filters and effects and be sure to add music that is popular in your chosen genre.
  3. Filter fun. There are so many filters readily available on TikTok, you can make hours of content. Consider what may be relatable to a writer or a reader and try and add a bookish slant to the filter you use.
  4. What are you reading? As well as learning about what you’ve written, the BookTok community is also keen to fill their TBR pile with recommendations. There are multiple ways you can present these videos. Pulling a new book from a shopping bag or unpacking a delivered box of shiny new books is always attractive to fellow book hawks! But it can be as simple as putting books in a pile and slowly lifting each one up to reveal the next. Be sure to give a little bit of information about each title, or, if you’ve already read it, an honest review.
  5. Lip Syncs. Okay, I feel your panic. This is a trend that only the bravest attempt, but they can be extremely effective. Search for soundbites that relate to a topic. They might be snippets from a movie, or even lyrics to songs. Practice until you know the words and the timing, then simply record yourself mouthing along. If the thought of introducing yourself is terrifying at the moment, I’m sure this is the last thing on your mind. But you never know, you might find yourself so comfortable with TikTok you’re giving it a whirl in no time!

You don’t have anything to lose (unless you work for an establishment that doesn’t allow TikTok. Seriously guys, check with your workplace before downloading the app if you are in a data-sensitive environment!). Why not give it a try? You can always delete it if you hate it.

I’m brand new to TikTok, so come and follow me as soon as you get set up and I’ll follow you back! You’ll find me @mjmarsauthor.

One last thing, if you’re a writer you may have heard the rumours this week about a literary agent stating that you need “40k followers on Instagram and 100k on TikTok” to even be considered by a publisher. This may be true for some (if it is, it’s a sad state of affairs, and rules out a humongous portion of excellent talent out there). But I am proof that this isn’t true for all. I have about 2k followers on Insta, and I had 0 followers on TikTok a few days ago, since I didn’t even have an account! Don’t be disheartened by statements like this. Keep on submitting. And, if you’re worried and feel pressured into starting TikTok because of this agent’s comment, don’t let it stress you out. Like me, you might find it is surprisingly fun. And, if it really isn’t for you, don’t give up on your publishing dream. The right publisher is out there waiting, and doesn’t give a damn about your social media status. All they care about is your talent. As it should be.

From Rejection to Publication

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Scrolling back through my old blog posts, I stop at one and check the date. 18th February, 2022. Just over a year ago, now. The post is called “Reigniting the Spark”, and it laments the fact that I have struggled with motivation to write, particularly since finishing The Suffering and entered into the query phase. I’d been submitting queries for months at that point, and was disheartened to say the least.

A snippet from “Reigniting the Spark”

Although I felt bad that I hadn’t been writing anything new, I rationalised that it could be the universe’s way of telling me not to flit from project to project the way I usually did. To really see out the process and focus on getting The Suffering to as many agents and publishers as possible. And, boy, was I trying! As most of you who have gone through the querying phase know, it’s a bleak process. You submit with high hopes, silencing the voice of doubt by convincing yourself that you “have a good feeling about this one!” only for the inevitable rejection to come back a few weeks later.

When Wicked House Publishing opened its doors last year, I was pretty much at the end of my rope with The Suffering. Perhaps it wasn’t as good as I hoped it was. In fact, perhaps it was terrible! A book that nobody would ever want, and—worse—that nobody would ever get to read. I felt as though I must have been completely deluded when I closed my laptop after the final edit and declared with confidence, “I think this is pretty good!”

I remember when I saw the call-out for Wicked House submissions. It was a Sunday, and I was in the middle of a regular bout of burnout that made me stop to consider whether I could be bothered heading to my laptop to make the query attempt. I was feeling quite down-and-out, and more than a little hopeless about the whole thing. But, something made me haul my ass off the couch and spend the afternoon at the kitchen table, preparing my query and making sure my synopsis and opening chapters were as good as they’d ever been. I hit the submit button. By that point, I was way past “I have a good feeling about this one!” and instead prepared myself for rejection.

But it never came. A full manuscript request was sent instead. And, a few months later, an offer of publication.

Now, just over a year from posting a disheartened blog about fighting for motivation, I’m holding The Suffering in my hands. It’s being read around the world, and many of the reviews have been more positive than I could have ever dreamed.

Thank you to my lovely Mum for the champagne in celebration!

It would have been so easy for me to give up on The Suffering after receiving months of rejections. It’s hard, and if you’re experiencing something similar with your manuscript at the moment, I feel for you and send you virtual hugs and strength. Self-belief can only be sustained so long when multiple professionals in the business are telling you they don’t want your book. But here’s the proof that it only takes that one lucky shot. Never stop fighting for it. Haul your ass off the couch and make that submission!

Because one day it will be for the last time. And for all the right reasons.

Why You Should Never Listen to the Doubters

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With a week to go until my debut novel, The Suffering, is unleashed into the world, I wanted to tell you a story from when I was about 19 years old. This was at a time when I was feeling a little lost after a turbulent few years in my life, but I knew one thing and one thing only: I was going to be writer. It was the only thing I wanted to do.

I had no aspirations to be a doctor or a teacher. While my classmates were taking language classes so they could bag their dream roles in the tourism industry, perfecting tints and perms in beauty school, spending weekends at cadets to give themselves the right tools for a career in the army, or volunteering in a local lab while they worked through their science credentials, I was shut up in my room scribbling plots and character profiles.

I was close with my then-boyfriend’s mother, who was into new-age practices and spiritual awareness. One Saturday, she took me on a day out to a spiritual convention in Manchester. The day itself was a lot of fun, strolling from stall to stall. I browsed rows of glistening coloured crystals and listened to the whistle of a wand whizzing around the rim of a metal bowl. I was sprayed with various aromatherapy scents and advised which angel I should try and link to (Sandalphon – I even remember that today, for some reason, not that he and I have ever been in touch of course!)

We closed off the day with a psychic reading from a woman I was assured was “amazing” and “always right”. There was no crystal ball or velvet-covered table scattered with tarot cards. There was just a middle-aged, blonde-haired woman, smiling pleasantly as she took my twenty pounds and asked me to sit down opposite her. The reading was pretty generic, I imagine. Vague talk of a man in a military uniform hanging around, and general observations about my personality type. At the end, she asked me what I wanted to do with my life. I enthusiastically told her my dream: I wanted to be a writer.

“A writer?” she said, looking thoughtful for a moment. “No. I just don’t see that for you”.

I thanked her and went on my way but inside I was crushed. Remember, I was only 19 and very impressionable at that time, so when someone told me they could see into the future, I believed them. I remember going home and sitting in the bath crying my eyes out. My dream was pointless. The only thing I wanted to do with my life was never going to happen for me. It was devastating.

The thing is, I love writing. Even though I didn’t think it was in my stars to be a professional writer, I didn’t stop. I couldn’t. Yes, it knocked my confidence. Perhaps things would have moved a little faster if it weren’t for that set-back. I do believe that dashing people’s dreams in that way is cruel and irresponsible. I’m more sceptical now, of course, but I believed her wholeheartedly at the time. Perhaps, like some people often say to justify a mis-fired psychic reading, that was what I really needed to hear in order to make it happen for myself. Maybe the stubborn part of my brain needed a battle of wits. An, “oh, you don’t think I can do it? Well, let me prove you wrong!” Who knows?

All I do know is that in exactly 1 week from now, I’ll be a published author. When people shoot down your goal and make you doubt yourself, always remember that the future isn’t already written. You have the chance to make your dreams come true.

No matter what anybody else says.

The Suffering Cover Reveal!

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They say you can’t judge a book by its cover, but on this occasion, I’m happy if you do!

I’m thrilled to be able to reveal the cover of The Suffering, which was created by the extremely talented Covers by Christian, after consultation with my fantastic team at Wicked House Publishing. Here it is:

It feels a lot more “real” now that I can show the world what my little book is going to look like. My neurotic brain has been convinced somewhere in the dark recesses that something would go wrong. That somewhere along the way plans would change, or that the book would be randomly dropped for no reason. Something deep inside me has been holding a little reservation, not getting too excited just in case.

But, now that I can shout it from the rooftops, I am going to embrace it as fully as I can! I already have a print order for 2 different sets of flyers and some bookmarks ready for promotion. It’s time to pluck up the courage to head into every shop and establishment I can think of and ask if they would like one for their staffroom. Better yet, a noticeboard. In public. Eek!

I think this quote from Zadie Smith sums it up:

It’s such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.

Zadie Smith

Having such a beautiful cover and such a great team behind me is definitely going to make this next part easier, the part my introvert ass has spent a lot of time dreading (promotion). But, you know what? Now I’m getting kind of excited about that part, too.

It’s really happening, guys. This is not a drill.

This time last year, I didn’t have a publishing deal. I’d been querying but getting nowhere – not even a hint of a bite. Looking back through my posts from around that time it’s easy to tell how disheartened I was getting. I’m going to elaborate a little more on this in an upcoming post later this month, but for now I just wanted to remind anyone who is querying or facing a lot of rejections that it really only takes that one hit to change everything. The only way you can be sure you’ll never get there is if you stop. So keep going.

The Suffering is coming in February 2023! Which ghost will haunt you?

Death in the Deep

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After finally getting over the hazy funk of completing The Suffering, it was time for me to start submitting short stories again. I was over the moon when my first 2022 submission was accepted by Dead Sea Press, and was published last week in the third volume of The Dead Seas series.

This publication is awesome because, not only is it crammed full of fantastic maritime horror fiction, it also raises money for The Shark Trust. I’ve always loved sharks, and so it’s a cause that is really close to my heart. It has made the publication even more special.

One of the first stories I ever had published was in a charity book called Writers for Animals, and my tale was about a little girl trying to help a Moon Bear to escape the bile trade. Even though that was years ago now (before I had my pen name and exclusively started writing horror), there is something very special about it. Being published is the greatest feeling in the world, but if you can raise money for a good cause while you’re doing it, it’s even better.

So, please head on over to Dead Sea Press and pick up your copy of Death in the Deep. You can get the Kindle version for peanuts on Amazon (every little bit helps the cause!), or go even further and get the beautiful paperback. If you’re a fan of horror shorts, why not go ahead and grab volumes 1 and 2 while you’re at it! Terror in the Trench and Shadows Beneath the Surface are crammed full of awesome stories to keep you away from the water this summer.

Both me and the sharkies are grateful!

Reigniting the Spark

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I used to find motivation pretty easy. All it would take was an interesting story, a mystery, a book with an intriguing character, or a film that I wished I’d written. Lately, whether it’s because of lockdown blues, self-doubt finally taking hold or – dare I even think it – age, I’ve been finding it harder and harder to find that spark again.

The kind of spark that sends you characters when you’re trying to close your eyes at night and leaves your heart racing so fast you’re still awake at 3am thinking up voices, items of clothing, favourite places, and songs for a person who doesn’t even exist.

The thrill that stops you from reading in the middle of a bath because the words on the page have been pushed out by the words forming in your own mind. Where your eyes trace the paragraphs on the book held above the bubbles in front of you, but your mind sees something completely different as your brain replaces that story with your own.

The joy of taking a walk and feeling the heartbeat of a new protagonist forming with every step you take, until you can’t wait to get home and sit at your computer.

I miss that feeling.

The funny thing is, I had it until the moment I finished my last book. Since then, I’ve been in a slump. But maybe this is the universe’s way of telling me, “Don’t you dare start something new until you’ve seen this one through!” Because, now that I’ve finished it, I need convincing that it’s good. And, for someone like me, that doesn’t come from inside. The process of submitting is mentally draining and makes me clamber into my cave before it’s even really begun, which is a feeling that I know many of you share. But this is the brink. This is the truly exciting part. The moment when anything can happen.

So, perhaps the spark is changing for a reason. It’s not the after-effects of lockdown, or the self-doubt taking over. It certainly isn’t age, because…fuck that! The spark can’t be about new projects for a while. It has to be something different. Something that already exists. The sleepless nights can be from wondering whether today’s agent query will be the one that leads to success. The bath time daydreams that take over the book I’m reading can be about signings at a book fair, or the premier when it gets turned into a movie (it’s going to happen – of course it is! I’ve picked out my dress and everything…)

The spark might well be there if I just let it grow for the manuscript I already have, rather than something I’m yet to write. Losing it may be just another form of self-sabotaging procrastination, when really all I need to do is light the match under the next stage of the process. Next time I take a walk, I won’t be thinking about a new protagonist. I’ll be thinking about the ones I already have. I’ll get as excited about you meeting them as I was to get home and write about them when I first started my book all those months ago. And I’ll hurry home to sit at my computer. I’ll hit “submit query”.

And that’s when I’ll feel that spark.

Querying in the ‘Dead Month’

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Making mistakes is all part of the process. In every walk of life. And it’s just been brought to my attention that I started querying The Suffering at the worst possible time. In the world of literary agencies, August is dubbed “The Dead Month”. It’s a month where nothing gets picked up. Where the few foolhardy authors who don’t know about this are likely to immediately hit the deleted pile, where their hopeful submission will be lost in the ether.

I didn’t take this into consideration when I sent my query emails to my first three choices in August, but that’s how the chips have fallen. I was so happy to have finally finished the book, I didn’t even stop to consider whether the time of year might be a factor. Was that stupid? Is this something everyone knows, except me?! I mean, when you’re going through the process of writing a manuscript, there are so many industry secrets and hints to learn, some things get left by the wayside. This just happens to be a potential biggie.

But hey, you never know, perhaps one of the agents I submitted to likes to work in August, when it’s quiet? Perhaps it’s a benefit that every other writer except me knows not to query in August, because there’s bound to have been less competition, right? I’ll keep telling myself that to feel better about it.

Plus, I can console myself that perhaps my top choice agents would have loved my submission…if only I’d sent it during a month when they actively review queries. That if I hear nothing back from them it’s simply that it slipped through the August cracks, and isn’t a reflection on how successful The Suffering might be…

I’m smiling as I write this, because it is so typical of how things work out. And I’m constantly trying to put a positive spin on any negatives in the process and prevent my nagging brain from convincing me that this is a dumb endeavour that will get me nowhere. Because that’s not how we roll around here. We have to keep pushing to make our dream a reality.

When people say, “If you don’t believe in yourself, how will anyone else believe in you?” it makes me cringe inside because my internal monologue is a savage. It berates me on the regular, especially when it comes to writing. When we make these stupid mistakes that add extra fuel to the fire of the internal monster inside us, we have to find a way to shake it off and continue. So I’m laughing about it. I fucked up, potentially, but it’s okay.

There are plenty more submissions to come. And hey, it’s September now, you guys! This month, there’s a good chance someone’s actually gonna read it…

Which part isn’t the hard part?!

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I haven’t posted on here for almost a year now, a fact that has kind of been weighing on me (and my auntie Elaine, who keeps reminding me – hey Elaine!!). But I completely threw myself into finishing The Suffering ready for querying, so that’s what took up all of my free time. I didn’t have anything else to say. But now the book is complete, the querying has begun, and I can breathe a big sigh of relief at having some time to do other things.

I checked the properties when I finished the wip and couldn’t believe my eyes when I saw I’d spent 2,300+ hours on writing, editing, editing, editing a little more…and just a smidge more editing. It seems like a ridiculous number. A huge mistake. If someone had asked me how long it had taken me to write it I might have shrugged and took a stab, “I dunno…a hundred hours, maybe?” – feeling like an overly-dramatic sensationalist at that.

So this is why I felt like I never had time for other things (or…ahem…people). This is why every time I tried to relax and play games or watch a movie I had an annoying voice in the back of my mind reminding me that I had far more important things that needed to be done. And once I’d finally drawn the line and decided that I had to quit the endless editing process for fear of removing any ounce of my own personal writing style, I felt like a huge weight had been lifted off me.

I’ve taken a few of weeks away from writing after sending the book out to my first and second agency choices, and the break has been fun. It’s strange not to have characters and scenes jostling for brain-space at all times of the day. My baths have been spent relaxing in bubbles, not leaping out and pattering wet footprints down the stairs in search of a notebook halfway through when an idea pops into my head. On my walks down the local quay I can now stick a headphone in and listen to music, not having to worry about drowning out a potential plot twist or character arc that may come to mind.

I’m starting to feel the urge to write again, returning to the Calls for Submissions pages and contemplating new horror short anthologies. I’ve missed the rush of writing to a set theme and waiting to hear if my story might just be good enough to make it in. That too went on the back-burner, and for the last year I haven’t submitted a single short. I’m excited to see what’s to come.

But I’m also feeling the anxious little pangs every time I check my writer’s email. The dread of the upcoming rejections by my prospective list of dream agents. It’s part of the process, of course. I don’t think there’s been a writer in history who was snapped up on their first attempt at representation (well, perhaps there have been a lucky few, but I’m positive it’s a rare occurrence).

So, writing the book was hard. Being away from all of my old favourite additional activities, writing-related or otherwise, was a bind. But it’s done with, at least for now. At least until that magical offer of a 3-book deal comes sliding into my emails. Until then, I’m going to enjoy my little blog posts (when I can actually think of something to say!). I’ll get excited about sending out various shorts and writing to set anthology themes in the hope they get accepted.

But, if that deal does come about I’ll be dropping everything again in a heartbeat! Another 2,300 hours to write a sequel – count me in! It’s a crazy dream. It’s almost impossible to find time. It’s ALL the hard part. But it’s worth every second. All 8280000 of them.

A More Organised Writer…?

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Did you guys make any writing related New Year’s Resolutions? We’re almost a month in to 2020, so how have you been getting on?

This year, I chose to focus on streamlining my writing process with a view to keeping my stress-levels low and my productivity high. So far, it seems to be working. I filled a diary with upcoming submission calls for short stories, and the two that stood out with deadlines at the end of January are almost complete. Having the diary has helped me to focus my attention on where it is needed, instead of constantly having ideas floating around my head without any order!

In between submission calls, I’m looking at working more methodically on my novels and full-length scripts. There are a couple of works that require some editing or plot-development before I can take them any further, so I’m blocking out time in between deadlines to work on those. When I have them mapped into my diary, I can forget all about them in the meantime, which is definitely preventing me from panicking or experiencing plot overload!

In terms of my horror novel, I am still plot mapping at the moment. I’ve drafted a few of the key chapters, but want to make sure I have the full structure worked out before I take it any further. I’ve been working to the Save the Cat plotting method which was developed by Blake Snyder, and found that his structure pretty much fit my basic plot plan for this particular work in progress. Having the template in front of me is helping me to focus my ideas and stick to the most important elements of the story. I was pleased to find that I was on the right track according to Snyders development plan, and so it was surprisingly positive to shift from being a complete pantser to a plotter! I’m going to book a solid week or two off work later in the year to finalise the finished draft. Knowing that I’ll have that time in a few months to worry about the finer details is helping me to take a steadier pace this time around. I am training myself to stop charging through the process, and I have to say I am enjoying the change of tack.

I hope that if you made any writing resolutions that they are working out well for you so far. If you did but haven’t been able to utilise them for whatever reason, I hope it’s given you a helpful insight into what may work for you in the future. If you hate making resolutions and already had a positive writing structure going for you, then long may it continue into 2020! And, finally, if you hate making resolutions but still don’t have a writing schedule that works for you, don’t give up on yourself. It will come in time.

Wishing all my fellow writers a positive and productive year ahead.