Tag: writing inspiration

Writing Tips

Are Writing No-Nos Really as Bad as They Say?

mjmarsauthor

Recently, I was scrolling through an interesting thread on a bookish Facebook page. The OP had asked what tropes or events in a book would cause you to stop reading in frustration. The answers were pretty surprising.

It wasn’t necessarily the answers themselves that interested me, but the response to the answers. For every person naming a certain pet-peeve as a reader, there were multiple responses stating “Oh, I don’t mind that at all, but I really hate it when…”.

As a fairly neurotic writer, I opened the post comments wondering if I should read it at all. I was afraid that the first 5 responses would list 5 of the things that I most definitely used in my upcoming book, The Suffering, and that I would cringe and sweat and quiver inside a little, wondering whether everyone would instantly see me for the big fat writing fraud that my brain insists that I am. But the responses were immediately comforting.

It was great to see the sheer spectrum of loves in comparison to the personal grievances of the reading community, and for just as many readers to reply and state that a particular trope or writing “faux-pas” is something they actively seek in a book, and get pleasure from when they see it.

Because it’s impossible to please everyone. There is not a chance in hell that you can write a book or create a piece of art that everyone will enjoy. Pleasure is unequivocally, beautifully subjective.

Just for fun, here are some of the ‘hated’ tropes or writing mishaps that were listed, followed by some of the rebuttals (although they are in speech marks, they are summarized from the answers given and are not direct quotes):

  • Spelling mistakes or grammatical errors (naturally – we need to make sure there are as few as possible!). But here’s what a few of the readers said: “I find it kind of comforting when there’s a mistake in a book. It shows that the writer is human, too.”
  • Writing a character’s accent within the speech patterns. (And if you’re looking for an example of this, think about all the recent Benoit Blanc memes for reference!) For all those who listed this as a gripe, others said: “I love it when a character has an obvious accent, especially when it’s familiar to the area I’m from. If it’s done well, I can hear it in my head, and I instantly warm to the character.”
  • A main character who vehemently dislikes someone, only for them to end up falling in love a few chapters later. While a lot of readers agreed that this was annoying and unrealistic, there were plenty who disagreed. “This is my favourite kind of tension in a book! The ‘will they/won’t they’ keeps me turning the pages until I get a definitive answer, and I love it when they finally get together. I don’t care how many times I read it, the characters are always different, so it doesn’t matter to me.” While another said, “This is how I met my partner – I hated their guts. It always feels realistic to me. We’re married now!”
  • The baddy becomes the goody or the goody becomes the baddy. While some readers find the switch utterly frustrating, others couldn’t disagree more. “Character development is the best part of reading for me. I put this in the same category. If the character changes dramatically, I can only see it as a good thing.” Another mentioned that they had been a bit of a bully in school and managed to turn it around. Reading a bad character turn good always felt familiar to them, affirming their choice to make the switch all those years ago.
  • Writers going into detail about the food the character is eating. This one surprised me, as I’ve always enjoyed a good food description in a book, and find it really puts me in the scene (Richard Laymon’s hotdog descriptions in Funland and The Midnight Tour, anyone?!). And let’s not forget about Hemingway. This was one of the most divisive topics. You either love it or hate it. But, like all good foods, perhaps moderation is key to this bug-bear. As one reader stated, “If it went on for pages and pages of description then, absolutely. But I like to experience the food along with the character if it’s within reason.”
  • Characters referencing pop-culture such as real-life movies, or using social media apps like TikTok or Instagram. This one intrigued me as some of my characters (students in 2016) actively use social media apps in the story. I felt the same way as many of the people responding to the contrary – “We aren’t living in the 1950s. If it’s a contemporary book about young characters, chances are they spend a lot of time on their phones, so it adds to realistic world-building.”
  • Finally, one of the readers (who was also a writer, I’m assuming!) hated the question itself. Why? Because there is no one-size-fits-all way of writing, and so she found the question frustratingly irrelevant.

I guess my summary here is drawing the same conclusion, but unlike the final reader’s response, I’m glad the question was asked. It reminded me that even if you accidentally (or intentionally) include a reader’s most hated trope or writer mistake in your work, there WILL be another reader who appreciates it.

So the old adage that you should write the book that you always wanted to read really is true. If you like it, chances are there will be many more who feel the same way. And don’t be disheartened if you get bad feedback. Sometimes, the ones who don’t like what you do are the ones who shout loudest, or take the time to voice their opinions. In the background, there may be 10 more people for every 1 of the ones who don’t like it just quietly thinking how much they love what you do. Don’t fixate on that negative opinion because it looms largest.

As with all things, you just have to find your audience.

Writing Tips

Resolutions for Writers (And How to Stick to Them!)

mjmarsauthor

Happy New Year my fellow geeks and ghouls.

This is a strange and exciting start to the new year for me as I’m currently preparing for the launch of The Suffering in February, so my goals and strategies for this year have shifted considerably compared to previous years. To kick off 2023, I wanted to share some of the things that worked for me and helped me to get to this crazy stage.

Plan Your Time

Use an online calendar tool or a good old-fashioned pen-and-paper chart to visibly block in your time and work out how you can squeeze your writing needs into your week. When you’re working a demanding job and have family commitments, this can be pretty daunting at first. But being able to see those small snippets of spare time can really help you to focus on making writing fit into your schedule each week.

  • Start with a list of categories depending on what stage you’re at in your writing process, and what you need to focus on above all else.
  • Break each category down into smaller sections and be realistic about timescales. Do you really need to start worrying about getting beta readers or an editor when you’ve still got half the book to write? Move tasks that can wait until a few months down the line into a separate list that you can revisit later in the year.
  • Make the timetable less daunting and easier to reference at-a-glance by using colours, stickers, or specific fonts to break up each task.

Explore What Works for You

Your writing process is completely unique to you, so the best tips even a bestselling writer could give you may not resonate at all with your style or personality. Don’t try to follow a list of things that work for someone else if they just don’t fit your needs. The best way to understand your own process is to reflect on the times you were most productive. If you’ve just started out, or can’t think of a time when you felt as though you had a good ‘flow’, ask yourself the following questions:

  • Do I work better when I have a variety of things to do, or do I work best when I focus on one task at a time?
  • Do I work better in a group so that I can bounce ideas off my peers, or am I better working alone until the writing is over?
  • Do I start writing and see where the characters take me, or do I like to plot the entire book before I start?
  • What is more engaging for me: the characters or the plot?

Questions like this can really help you to understand how your brain works, and what makes your writing tick. You may even be surprised by your answers, especially if you’ve been told there is only one way to write in the past.

Work through each question (and add a few more of your own!) and consider how to plan your writing time around your answers. For question one, my answer is changeable depending on what part of the process I’m at. Usually, I love having a number of things on the go in order to keep my excitement levels high and avoid getting stagnant. I check lists of short story sub calls (Authors Publish is a great one!), or pick a random writing exercise to keep up my inspiration levels. But, when I’m nearing the end of a project, or I’m in final edits, there’s no way I can work on anything else but the biggest task at hand. Your answers may be just as changeable, and that’s perfectly fine! Do what works for you at any given time.

For the question about character or plot, you may think, “That’s stupid. They’re both just as important.” And you’re absolutely right. But usually when you begin to write, it’s because you’ve been inspired by one or the other. Perhaps a brilliant character has popped into your mind and you can’t wait to write them down. In doing so, you unlock members of their family and friendship group, followed by their antagonist/s. That might lead you down the path of who the villains were in the past, and why they are the way they are. When you’re on a roll of discovering characters, you might not want to pull away from worldbuilding to plan out a specific plot for them. If you stop and think, “Wait, I need to actually work out what happens in the book, otherwise I’m going nowhere with this,” you may find your inspiration dries up completely. Finish getting out all you need to know about the characters, and then work on the plot. You don’t need to do it all at once. The most important thing is finding a way to work that keeps you interested and inspired to keep going each week.

Be Firm But Fair

This goes for the people around you, but also yourself.

  • If you live in a busy household and there’s no way of getting out to write, try to set a firm boundary around the hours or minutes that you schedule in to work on your writing. If you have young children or carer’s demands, etc, you might need to consider adjusting the time you get up in the morning, or trying to work later into the evening. This isn’t always healthy, so be sure you’re setting acceptable goals that won’t impact your health and wellbeing.
  • Acknowledge that some weeks just don’t work out. Life gets in the way of writing and that’s okay. Instead of beating yourself up and frantically scrabbling to get the time back the next week, simply re-set and start again, sticking to the scheduled plan. This will help you avoid burn-out and keep you motivated throughout the year.
  • Even ten minutes is better than nothing. Don’t obsessively count the minutes at your computer or your wordcount, just show up each week and the rest will follow.
  • An “unproductive” week might be anything but. By this, I mean that the time spent twiddling your thumbs and staring at a blank screen aren’t wasted moments. The ideas will come eventually, and by intentionally making the choice to work on your book, you’re setting the ball in motion for those eureka moments that will strike you when you least expect it.
  • Be extra kind during your writing time. Do you have a favourite coffee or tea? A type of sweet or another snack that you just can’t resist? Make it a part of your writing session. This works especially well if you have to fight to make the time to sit and write when you’re already pulled in a million directions and feeling exhausted from a day working hard at everything else life throws at us. Give yourself something to look forward to, and make it synonymous with your writing time.

In a nutshell, it pays to:

Be organised, be flexible, and be realistic.

Those are the main ways to see results as you start your new year of writing. But, above all, be kind to yourself.

Uncategorized

Found Footage Horror Writing

mjmarsauthor

After a crazy few months, I’m finally settling back into my old writing routine, working on getting my horror novel finished and sent out for trad pub later this year. With everything that’s been going on, I did slip into one of those distracted, disinterested phases where I was into pretty much everything but working on my novel.

For example, I completed a Cryptozoology diploma – if you were wondering just how much of a massive geek I really am, that should give you all the information you need, am I right?! While I knew I should have been working on The Suffering, it was kind of fun to step away and shake it off for a few weeks. The only problem with doing that, as most of you writers will know, is dragging yourself back to your original project and hitting the ground running where you veered off course in the first place.

The last few days I’ve returned to one of my all time horror loves – Found Footage movies. Now, hear me out. I know it’s a divisive subject. I know the prospect of watching a shaking, grainy Go-Pro and listening to the person behind the camera panting and screaming while they thrash through forests isn’t everyone’s idea of a great time. But FF movies immerse me in the moment like no Hollywood production ever could. Not even when Patrick Wilson’s on screen (and boy, do I love it when Patrick Wilson’s on screen….but, I digress). I never fall in love with the characters the way I do with FF movies. I never root for them and think of them as buddies I’m tagging along with the way I do with FF.

An example from this week – my all time favourite horror movie, hands down, is Hell House LLC. I just get fireworks of horror-induced joy whenever I watch it and its sequels. I NEED the Hell House sweatshirt that Sara wears in the movie. Clowns don’t usually freak me out, but the clowns in Hell House? Fuck, yeah!! That’s true horror, and I love it so much. It reminds me of why horror has always given me something that no other genre can. A decent horror gives me that crazy, life-affirming confirmation that I’m alive, that life is exciting, and that if I can use that passion in a writing project then that’s exactly what I need to be doing with my life. The director and cast of the first movie posted a Zoom chat on their Facebook page this week and hearing their behind the scenes recollections and discussions about how the movie unfolded through improv and B-roll resonated with me. It made me want to run straight to my laptop and pick up The Suffering again. Because my characters are my cast, and when they run off with their own little camera in my mind and do their own thing, I watch it happen and hope I can type fast enough to keep up. When I’m passionate about the story I’m writing, it feels just like I’m watching a Found Footage movie. And that’s when I get that little horror-induced, chest firework, life-affirming buzz that I’m doing exactly what I need to be doing with my life.

If you haven’t got a clue what I mean by Found Footage, dive right in to Amazon Prime and run it through the search. Hell House LLC is on there, as is Survive the Hollow Shoals, which has jump-scares for days and literally made me throw my phone across the room when I was watching it while wearing headphones. Getting me to jump is no mean feat, I can tell you, so props to Jonathon Klimek for that one.

In other news, we were supposed to be at the Hella Mega Tour this week, watching Green Day, Fall Out Boy, and Weezer performing in the sunshine. I was pretty disappointed that it has obviously been cancelled because of the pandemic, even though drinking in the garden listening to their most recent live performances wasn’t the worst way to spend a day. Plus, I found out that Dark Peninsula Press had released Negative Space, featuring my survival horror short Six Weeks, which definitely cheered me up. Working on that project has been a joy from start to finish, and I really hope the publication is a huge success. You can check out the link in my publications list here.

Anyway, my characters are calling from the shaky, grainy recesses of my brain. I’d better go see what they’re up to…

Uncategorized

Humour in Horror Writing

mjmarsauthor

Well, you guys, it’s been a while. And how things have changed since I last uploaded a blog post. I hope you are all keeping safe and managing through these bizarre times.

Lockdown has given me invaluable time in front of the computer screen working on my horror novel. It got me to thinking about the relationship between humour and horror, and about how the two tend to meet. It’s a fine balance – make horror too funny and it seems silly and loses its tension. Make horror too serious and, for me, it loses an edge that a well-crafted story with elements of both will undoubtedly demonstrate.

Some of my writing heroes excel at this technique. The League of Gentlemen (Reece Shearsmith, Mark Gatiss, Steve Pemberton, and Jeremy Dyson), inspired me when I was a school kid. Their eponymous television show was like nothing I had ever seen before. Their skill at writing comedy immersed in horror, full of sympathetic characters and humanistic struggles, has stayed with me ever since. Pemberton and Shearsmith’s Inside No.9 continues to surprise me, a television experience that my husband pointed out is no mean feat! When chatting about the show to a work colleague, he stated, “It’s the only TV show that ever surprises MJ. Because she’s a writer, she always guesses what’s going to happen or what the twist in a show will be. With Inside No.9, she’s always just as surprised as the rest of us, so she actually gets to enjoy it!” I hadn’t thought about it until he pointed it out, but it’s so true!

And that’s what you can do with horror. Truly take people by surprise and thrill them, more than any other genre. It’s something that I am trying to focus on as I push on through this novel, working on balancing truly fiendish characters and events with personable humour and empathy. I am trying to learn from the masters – after all, I have been following them for about 25 years now.

The horror/humour balance can never be more topical than at a time of crisis. It’s important to laugh, even when the world around us seems to be falling apart. And it’s okay to find humour in the madness. In fact, there is nothing more human.

Stay safe my friends, and seek out a little humour where you can.